Work - 2


        The following is partly in response to Ktismatics’ comments on a recent post.

        The method of free association was Freud’s response to one of the most challenging tasks with which psychoanalysis has had to grapple over its history: the elaboration of a system of contact, traversal, and translation between the primary and secondary processes as two ways of thinking, and hence as two ways of being, that are radically alien to one another.

        In their elaborations of the unconscious, Lacanism and Ego Psychology seem to stand on the opposite ends of a conceptual scale that pits the ineluctable foreignness of the symbolic against the domesticity of development. One recognizes the effects of such theorizing in the tone of the texts as well: from the turgidly undecipherable to the rigidly banal. What a shame it is to have reduced the workings of the unconscious to the structures of language or the chronologies of development, and to have colonized the former with the disciplines and strategies of either of the latter.

        While relying heavily on Klein’s notion of unconscious “phantasy,” Winnicott articulates the fact of an in-between that facilitates and organizes the passages between subjective and objective, self and other. Neither a hallucination nor a concretization, the “transitional” object is the site of infantile illusion and, by extension, adult creativity. It is neither simply given nor autocratically created; it is a found object in the sense that, while belonging to an external reality, it is invested with the qualities that suit the momentary psychodynamic purposes of the individual that “finds” it. It becomes “transitional” at the very moment of its finding.

        Of all the principal figures in the psychoanalytic pantheon, and in spite of the ideological restrictions of his parental metaphors, Winnicott is perhaps one of the most faithful of Freudians. Rather than upon the uncovering of history, the enunciation of truth, the resolution of conflict, or the mastery over anxiety, it is upon the capacity to “find” and re-deploy creatively one’s own objects, in other words to play, that Winnicott bases his principal mark of health. Instead of merely a tool for analytic inquiry, the capacity to associate freely has now been clearly identified as the goal of that inquiry and, ultimately, as a necessary strategy for “healthy” living. (I think there is a bridge here between Winnicottian play and Deleuzo-Guattarian bricolage.)

        This makes a lot of sense to me. And yet, rare indeed are those that undertake an analysis because they want to “play.”

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