Terminological quibbles aside, I do think there is something quasi “religious” to the flow of the text. Take, for instance, the bifurcations either production or representation, either flow or stagnation, either schizoanalysis or psychoanalysis. There’s been a fair bit written and said about the unsettling ways in which D & G deploy these polarities; but, try as we might, the line in the sand is presumably drawn and with it we are confronted with an exclusionary choice: either with Anti-Oedipus or against it. That’s the logic that most readers have followed and that’s the (religious) trap I have been trying to avoid.

In particular, the word “Trinitarian” communicates a strong religious bias which is not characteristic of the D & G I know. There are other words to describe tripartite structures, namely “tripartite.” Even “triumvirate” seems less biased but accurate.